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The Particle Illusion plugin is a quick, easy and good-looking tool to add sparks, Milky Way-like star trails or even fireworks to any scene. If you are inside of After Effects, most parameters can now be keyframed and parented (aka pick-whipped) natively in the timeline. Essentially, the Mocha shape will act like a matte and cut off anything outside the matte. In Media Composer I noticed that I had to go to the Mocha options and change the option from Mocha Shape to no shape. Once you are done and happy with your track, jump back to your timeline where it should be reflected.
From there you can track where you want your emitter to track and be placed. The second time I launched Mocha, I saw track points. The first time I went into Mocha I didn’t see the preset tracks for the emitter or the world in which the emitter lives. Once I dialed in the emitter, I launched Mocha and tracked the dumpster. I used Mocha to track some fire from Particle Illusion to a dumpster I had filmed. I had a hard time seeing my footage in a Media Composer timeline inside of Particle Illusion, but I could still pick my emitter, change specs like life and opacity, exit out and apply to my footage.
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If you only have a handful make sure you download additional emitters, which you can find in the Boris FX App Manager. Inside the Particle Illusion interface you can find all of the pre-built emitters. While Particle Illusion is a part of the entire Continuum toolset that works with OFX apps like Blackmagic’s DaVinci Resolve, Media Composer, After Effects, and Premiere, it seems to work best in applications like After Effects, which can handle composites simply and naturally. In this revamp of Particle Illusion there is an updated interface, realtime GPU-based particle generation, expanded and improved emitter library (complete with motion-blur-enabled particle systems) and even a standalone app that can design systems to be used in the host app - you cannot render systems inside of the standalone app. Particle Illusion has been brought back from the brink of death in Continuum 2019 for a 64-bit keyframe-able particle emitter system that can even be tracked and masked with Mocha. Overall, Continuum and Mocha Pro 2019 feel a lot snappier when applying and rendering effects, probably because of the overall GPU-acceleration improvements. In this latest version of Continuum, BorisFX has not only kept plugins like Primatte Studio, they have brought back Particle Illusion and updated Mocha and Title Studio. I also need to use it for image repair and compositing.
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I often get offline edits effects from a variety plugins - lens flares, random edits, light flashes, whip transitions, and many more - so I need Continuum to be compatible with offline clients. This really helps when jumping between machines and you need to quickly activate and deactivate licenses. They have also created the new Application Manager, which makes it a little easier to find the latest downloads. But if you are lucky enough to own Mocha Pro you also get access to some amazing tools that go beyond planar tracking - such as automated object removal, object insertion, stabilizing and much more.īoris FX’s latest updates to Boris Continuum and Mocha Pro go even further than what I’ve already mentioned and have resulted in a new version naming, this round we are at 2019 (think of it as Version 12). Because Mocha is built into Continuum, I am able to quickly track (backwards and forwards) difficult shapes and even erase shapes that the built-in Media Composer tools simply can’t do. The latest releases of Continuum and Mocha Pro 2019 continue the evolution of Boris FX’s role in post production image restoration, keying and general VFX plugins, at least inside of NLEs like Media Composer and Adobe Premiere.Īs an online editor I am alway calling on Continuum for its great Chroma Key Studio, Flicker Fixer and blurring.
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For those pros who don’t want to deal with Mocha inside of an app, it also comes as a standalone software solution where you can copy and paste tracking data between apps or even export the masks, object removals or insertions as self-contained files. If you use After Effects, there is even a whittled-down version of Mocha built in for free. And if you work inside of Avid Media Composer, you should also seriously consider Boris Continuum and/or Sapphire, which can use the power of Mocha.Īs an online editor, I consistently use Continuum along with Mocha for tight blur and mask tracking. I realize I might sound like a broken record, but if you are looking for the best plugin to help with object removals or masking, you should seriously consider the Mocha Pro plugin.
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